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Pottery
<Ceramics>

御砂焼・神砂焼

Osuna Shinsha Yaki

宮島焼の別名。広島県廿日市市で焼かれる陶器。厳島神社参拝の際の縁起物として焼かれています。旅行に出かける際に宮島の砂を「お砂守」として拝受し、無事に帰郷した際にその砂で土器(お砂焼)を作り、宮島の神前に供えたという慣習に因んでいます。独特の温かみが感じられ、素朴でありながらも繊細な意匠や彫刻が施されているのが特徴です。

Osuna Yaki, also known as Miyajima Osuna Yaki and Shinsha Yaki, was established in western Hiroshima during the Edo period. Osuna Yaki can be translated to ‘divine sand property. Created through a rather unique process, this pottery practice incorporates a spiritual component in its production. During the Edo period, people from the region who were to embark on travel would first visit the Itsukushima Main shrine and collect sand from it’s main hall - this sand would act as a talisman for safety throughout their journey. On returning home to the area, the local people who engage in the ritual of ‘Onsunagaeshi’ which involved returning the original sand from the Itsukushima shrine, now mixed with sand they had collected during their travels. The vessels created from this sand and ritual are therefore known as Osuna Yaki.

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