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Japan Living Arts (A Blog by Steve Beimel, Founder, JapanCraft21.com)

Learn more about Japanese arts & crafts. See Our Instagram ・ @JapanCraft21

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Kokura Orii’s a woven striped cloth which was originally used for gala ma trousers for Samurai.
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Shigaraki Teabowl by Tabata Shion (b. 1947) @shion.tabata 田端志音作 Beginning her career as an antiques dealer, Tabata Shion developed a deep appreciation of ceramics from the Edo period. As a ceramist, she works in a wide range of these traditional styles to recapture the beauty of antique ceramics from regions across Japan. Ippodo Gallery, NY @ippodogallery #japaneseceramics #shinoware #tea #shiontabata #tabatashion #chanoyu #ippodo #teabowl #edoperiod #japanesecraft #craftsmanship #japaneseart #japancraft21
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Shino Teabowl by Shion Tabata (b. 1947) @shion.tabata 田端志音作 Beginning her career as an antiques dealer, Tabata Shion developed a deep appreciation of ceramics from the Edo period. As a ceramist, she works in a wide range of these traditional styles to recapture the beauty of antique ceramics from regions across Japan. Ippodo Gallery, NY @ippodogallery #japaneseceramics #shinoware #tea #shiontabata #tabatashion #chanoyu #ippodo #teabowl #edoperiod #japanesecraft #craftsmanship #japaneseart #japancraft21
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JapanCraft21コンテストの審査員の堀木エリ子先生が村上信夫氏と伝統の継承というテーマで対談されます。お時間のある方はぜひご参加ください。 https://otonatera.hp.peraichi.com/
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Sake Cups by Ono Hakuko (1915–1996) 小野珀子作 Ono Hakuko’s works display her mastery of a technique called yūri-kinsai 釉裏金彩, or gold foil underglaze, which she learned from the Living National Treasure Katō Hajime (1900–1968). To create the stunning gold designs, delicate gold leaf is cut into shape and applied onto the surface of the ware, which has been glazed and fired. A needle is then used to carve finer details into the gold leaf. Once the design is finished, the gold leaf is fixed in place with a layer of clear or colored enamel and the piece is fired at low temperatures to prevent the foil from melting. Joan B Mirviss LTD, NY @joanbmirvissltd #japaneseceramics #porcelain #japaneseporcelain #onohakuko #kenshomura #hakukoono #joanbmirviss #ceramicart #goldleaf #goldfoilunderglaze #porcelainart #japanesecraft #craftsmanship #japaneseart #japancraft21
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Vase by Ono Hakuko (1915–1996) 小野珀子作 Ono Hakuko’s works display her mastery of a technique called yūri-kinsai 釉裏金彩, or gold foil underglaze, which she learned from the Living National Treasure Katō Hajime (1900–1968). To create the stunning gold designs, delicate gold leaf is cut into shape and applied onto the surface of the ware, which has been glazed and fired. A needle is then used to carve finer details into the gold leaf. Once the design is finished, the gold leaf is fixed in place with a layer of clear or colored enamel and the piece is fired at low temperatures to prevent the foil from melting. Joan B Mirviss LTD, NY @joanbmirvissltd #japaneseceramics #porcelain #japaneseporcelain #onohakuko #kenshomura #hakukoono #joanbmirviss #ceramicart #goldleaf #goldfoilunderglaze #porcelainart #japanesecraft #craftsmanship #japaneseart #japancraft21
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【伝統工芸の衰退に気づいたきっかけ】日本の伝統工芸を再生したいと、京都で奮闘するバイメルの想いをインタビューした動画です。ツアー会社で、日本を案内しているうちに、日本の伝統工芸の世界で、いろいろなものが「これが最後で、もう作れない」と聞いたのがきっかけだそうです。バイメルが、ここまで日本の伝統工芸について考える理由、その熱量をお伝えできればと動画にした第6回目です。 #ジャパンクラフト21 #japancraft21 #日本の伝統工芸 #伝統工芸 #伝統工芸品 #伝統工芸士 #伝統工芸を身近に #日本の工芸品 #伝統工芸が好き #日本の伝統工芸を守りたい #日本の職人 #陶芸 #工芸 #織物 #染色 #陶磁器 #漆器 #木工 #竹工 #金工 #仏具 #石工 #和風建築 #町家 #伝統工法 #庭園 #日本の庭園 #庭園の見方 #日本を知るツアー #日本の庭園がわかるツアー
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Fresh Water Jar by Ono Hakuko (1915–1996) 小野珀子作 Ono Hakuko’s works display her mastery of a technique called yūri-kinsai 釉裏金彩, or gold foil underglaze, which she learned from the Living National Treasure Katō Hajime (1900–1968). To create the stunning gold designs, delicate gold leaf is cut into shape and applied onto the surface of the ware, which has been glazed and fired. A needle is then used to carve finer details into the gold leaf. Once the design is finished, the gold leaf is fixed in place with a layer of clear or colored enamel and the piece is fired at low temperatures to prevent the foil from melting. Joan B Mirviss LTD, NY @joanbmirvissltd #japaneseceramics #porcelain #japaneseporcelain #onohakuko #kenshomura #hakukoono #joanbmirviss #ceramicart #goldleaf #goldfoilunderglaze #porcelainart #japanesecraft #craftsmanship #japaneseart #japancraft21
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Vessel by Shōmura Ken 庄村健作 Shōmura Ken is the fifth-generation head of Bankō kiln in Arita, a town in northern Kyūshū famed for its porcelain production. Like the generations that came before him, Shōmura works with porcelain, a type of ceramic in which kaolinite clay is fired at such high temperatures that it vitrifies, or turns into a glass-like liquid. It is this vitrification process that creates porcelain’s unique strength and translucency. Shōmura finishes his porcelain wares with a variety of glazes, underglazes, and overglazes inspired by his study of textile dyeing. Romang Collection, Raleigh, NC @romangcollection #japaneseceramics #porcelain #japaneseporcelain #shomuraken #kenshomura #celadon #romangcollection #ceramicart #porcelainart #japanesecraft #craftsmanship #japaneseart #japancraft21
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Vessel by Shōmura Ken 庄村健作 Shōmura Ken is the fifth-generation head of Bankō kiln in Arita, a town in northern Kyūshū famed for its porcelain production. Like the generations that came before him, Shōmura works with porcelain, a type of ceramic in which kaolinite clay is fired at such high temperatures that it vitrifies, or turns into a glass-like liquid. It is this vitrification process that creates porcelain’s unique strength and translucency. Shōmura finishes his porcelain wares with a variety of glazes, underglazes, and overglazes inspired by his study of textile dyeing. Romang Collection, Raleigh, NC @romangcollection #japaneseceramics #porcelain #japaneseporcelain #shomuraken #kenshomura #celadon #romangcollection #ceramicart #porcelainart #japanesecraft #craftsmanship #japaneseart #japancraft21
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Vessel by Shōmura Ken 庄村健作 Shōmura Ken is the fifth-generation head of Bankō kiln in Arita, a town in northern Kyūshū famed for its porcelain production. Like the generations that came before him, Shōmura works with porcelain, a type of ceramic in which kaolinite clay is fired at such high temperatures that it vitrifies, or turns into a glass-like liquid. It is this vitrification process that creates porcelain’s unique strength and translucency. Shōmura finishes his porcelain wares with a variety of glazes, underglazes, and overglazes inspired by his study of textile dyeing. Romang Collection, Raleigh, NC @romangcollection #japaneseceramics #porcelain #japaneseporcelain #shomuraken #kenshomura #celadon #romangcollection #ceramicart #porcelainart #japanesecraft #craftsmanship #japaneseart #japancraft21
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【日本の庭園がなぜ素晴らしいのかを解説するツアーをしていた】日本の伝統工芸を再生したいと、京都で奮闘するバイメルの想いをインタビューした動画です。ツアー会社を作り、日本とアメリカを半分ずつ行き来するような暮らしを始めたバイメル。京都に11連泊して、日本の庭を25ヵ所もめぐるツアーをしていたそうです。何年にできたなどの歴史ではなく、構造について、私たち日本人でも知らない人も多い庭園の石の遠近法、庭を美しく見るにはどこから見たらいいのかなどを説明していたそうです。これほどまで日本の伝統工芸について考える理由、その熱量をお伝えできればと動画にした第５回目です。 #ジャパンクラフト21 #japancraft21 #日本の伝統工芸 #伝統工芸 #伝統工芸品 #伝統工芸士 #伝統工芸を身近に #日本の工芸品 #伝統工芸が好き #日本の伝統工芸を守りたい #日本の職人 #陶芸 #工芸 #織物 #染色 #陶磁器 #漆器 #木工 #竹工 #金工 #仏具 #石工 #和風建築 #町家 #伝統工法 #庭園 #日本の庭園 #庭園の見方 #日本を知るツアー #日本の庭園がわかるツアー
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Vessel by Kawano Shōkō 河野祥篁作 Inspired by the shells and rocks he encountered on the beach as a child, as well as by the sculptures of Michelangelo, Kawano Shōkō thinks sculpturally when he creates his bamboo baskets. He frequently uses the open twill plaiting weave structure to shape his baskets and strengthens them with urushi, or lacquer, as a finish. TAI Modern Gallery, Santa Fe, NM @TAIMODERN #japanesebasketry #bamboo #basketweaving #kawanoshoko #shokokawano #bamboobasket #taimodern #basketart #bambooart #japanesecraft #craftsmanship #japaneseart #japancraft21
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Vessel by Kawano Shōkō 河野祥篁作 Inspired by the shells and rocks he encountered on the beach as a child, as well as by the sculptures of Michelangelo, Kawano Shōkō thinks sculpturally when he creates his bamboo baskets. He frequently uses the open twill plaiting weave structure to shape his baskets and strengthens them with urushi, or lacquer, as a finish. TAI Modern Gallery, Santa Fe, NM @TAIMODERN #japanesebasketry #bamboo #basketweaving #kawanoshoko #shokokawano #bamboobasket #taimodern #basketart #bambooart #japanesecraft #craftsmanship #japaneseart #japancraft21
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バイメル【京都に11泊するツアーを企画】日本の伝統工芸を再生したいと、京都で奮闘するバイメルの想いをインタビューした動画です。アメリカに帰国後も、日本人と仕事し、「その後、日本に帰ってきました！」と語るバイメル。「日本の庭園の良さは、ただ見るだけではわかりにくい。でも、ちゃんと説明することでよりその価値が伝わります」と京都に11連泊の旅を企画。どんなツアーだったのでしょうか。ここまで日本の伝統工芸について考える理由、その熱量をお伝えできればと動画にした第４弾です。 #ジャパンクラフト21 #japancraft21 #日本の伝統工芸 #伝統工芸 #伝統工芸品 #伝統工芸士 #伝統工芸を身近に #日本の工芸品 #伝統工芸が好き #日本の伝統工芸を守りたい #日本の職人 #陶芸 #工芸 #織物 #染色 #陶磁器 #漆器 #木工 #竹工 #金工 #仏具 #石工 #和風建築 #町家 #伝統工法 #京町家 #京都の町家 #庭園 #庭園好きな人と繋がりたい #日本庭園
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Vessel by Kawano Shōkō 河野祥篁作 Inspired by the shells and rocks he encountered on the beach as a child, as well as by the sculptures of Michelangelo, Kawano Shōkō thinks sculpturally when he creates his bamboo baskets. He frequently uses the open twill plaiting weave structure to shape his baskets and strengthens them with urushi, or lacquer, as a finish. TAI Modern Gallery, Santa Fe, NM @TAIMODERN #japanesebasketry #bamboo #basketweaving #kawanoshoko #shokokawano #bamboobasket #taimodern #basketart #bambooart #japanesecraft #craftsmanship #japaneseart #japancraft21
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Patinated Copper Vase by Io Kōichi 井尾鉱一作 Io Kōichi forms his simple and sophisticated metal objects using traditional hammer raising techniques. He works with a variety of metal alloys that have been part of Japanese metalworking tradition for hundreds of years, such as shakudō, an alloy made of between 4 to 10 percent gold and 90 to 96 percent copper, and shibuichi, made of one part silver and three parts copper. These various alloys have unique properties that can be brought to life by the niiro patination process, in which the metals are boiled in a chemical bath to transform the colors. Katie Jones Gallery, London @katiejones_japangallery #japanesemetalworking #hammeredmetal #shibuichi #shakudō #iokoichi #koichiio #patinatedmetal #patina #japan #craft #japanesecraft #craftsmanship #japaneseart #japancraft21 #katiejonesgallery
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Patinated Shibuichi Vessel by Io Kōichi 井尾鉱一作 Io Kōichi forms his simple and sophisticated metal objects using traditional hammer raising techniques. He works with a variety of metal alloys that have been part of Japanese metalworking tradition for hundreds of years, such as shakudō, an alloy made of between 4 to 10 percent gold and 90 to 96 percent copper, and shibuichi, made of one part silver and three parts copper. These various alloys have unique properties that can be brought to life by the niiro patination process, in which the metals are boiled in a chemical bath to transform the colors. Katie Jones Gallery, London @katiejones_japangallery #japanesemetalworking #hammeredmetal #shibuichi #shakudō #iokoichi #koichiio #patinatedmetal #patina #japan #craft #japanesecraft #craftsmanship #japaneseart #japancraft21 #katiejonesgallery
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Patinated Shakudō Vase by Io Kōichi 井尾鉱一作 Io Kōichi forms his simple and sophisticated metal objects using traditional hammer raising techniques. He works with a variety of metal alloys that have been part of Japanese metalworking tradition for hundreds of years, such as shakudō, an alloy made of between 4 to 10 percent gold and 90 to 96 percent copper, and shibuichi, made of one part silver and three parts copper. These various alloys have unique properties that can be brought to life by the niiro patination process, in which the metals are boiled in a chemical bath to transform the colors. Katie Jones Gallery, London @katiejones_japangallery #japanesemetalworking #hammeredmetal #shibuichi #shakudō #iokoichi #koichiio #patinatedmetal #patina #japan #craft #japanesecraft #craftsmanship #japaneseart #japancraft21 #katiejonesgallery
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New article "The Art of ‘Rakugo’, Sit-Down Comedy by Pen" is now on Japan Living Arts. Please read the full article: https://japanlivingarts.com/the-art-of-rakugo-sit-down-comedy-by-pen-2/
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【漆（うるし）を見るだけじゃなくストーリーを伝えなければ】日本の伝統工芸を再生したいと、京都で奮闘するバイメルの想いをインタビューした動画です。英語教師として25歳で来日したときの日本の暮らしのなかで、どんなふうに日本の伝統工芸を知ってきたのか。バイメルがここまで日本の伝統工芸について考える理由、その熱量をお伝えできればと動画にした第3弾です。 #ジャパンクラフト21 #japancraft21 #日本の伝統工芸 #伝統工芸 #伝統工芸品 #伝統工芸士 #伝統工芸を身近に #日本の工芸品 #伝統工芸が好き #日本の伝統工芸を守りたい #日本の職人 #陶芸 #工芸 #織物 #染色 #陶磁器 #漆器 #木工 #竹工 #金工 #仏具 #石工 #和風建築 #町家 #伝統工法
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New article "The Moon and the Printing Masters by Pen" is now on Japan Living Arts. Please read the full article: https://japanlivingarts.com/the-moon-and-the-printing-masters-by-pen/?doing_wp_cron=1700383888.2170999050140380859375
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Jar with Lid by Maeda Masahiro 前田正博作 Maeda Masahiro’s work blends glazing traditions from Japan and the West to create his distinctly bold and geometrical wares. He specializes in iro-e kinginsai, a Japanese technique for decorating porcelain with polychrome enamel and gold and silver overglazes, but he uses Western glazes, which he applies in thick layers on the body of his vessels. Each ware requires multiple stages of firing and glazing to achieve the final effect. For more of Maeda’s work, check out Playing with Pattern at Joan B Mirviss LTD! Joan B Mirviss LTD, New York @joanbmirvissltd #japaneseceramics #porcelain #polychromeenamel #japaneseporcelain #maedamasahiro #masahiromaeda #teaware #overglaze #japanesecraft #craftsmanship #japaneseart #japan #craft #japancraft21 #joanbmirvissltd
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Tea Bowl by Maeda Masahiro 前田正博作 Maeda Masahiro’s work blends glazing traditions from Japan and the West to create his distinctly bold and geometrical wares. He specializes in iro-e kinginsai, a Japanese technique for decorating porcelain with polychrome enamel and gold and silver overglazes, but he uses Western glazes, which he applies in thick layers on the body of his vessels. Each ware requires multiple stages of firing and glazing to achieve the final effect. For more of Maeda’s work, check out Playing with Pattern at Joan B Mirviss LTD! Joan B Mirviss LTD, New York @joanbmirvissltd #japaneseceramics #porcelain #polychromeenamel #japaneseporcelain #maedamasahiro #masahiromaeda #teaware #overglaze #japanesecraft #craftsmanship #japaneseart #japan #craft #japancraft21 #joanbmirvissltd
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Fresh Water Container by Maeda Masahiro 前田正博作 Maeda Masahiro’s work blends glazing traditions from Japan and the West to create his distinctly bold and geometrical wares. He specializes in iro-e kinginsai, a Japanese technique for decorating porcelain with polychrome enamel and gold and silver overglazes, but he uses Western glazes, which he applies in thick layers on the body of his vessels. Each ware requires multiple stages of firing and glazing to achieve the final effect. For more of Maeda’s work, check out Playing with Pattern at Joan B Mirviss LTD! Joan B Mirviss LTD, New York @joanbmirvissltd #japaneseceramics #porcelain #polychromeenamel #japaneseporcelain #maedamasahiro #masahiromaeda #teaware #overglaze #japanesecraft #craftsmanship #japaneseart #japan #craft #japancraft21 #joanbmirvissltd
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New post by Elizabeth Andoh on Japan Living Arts. Please read the full article on: https://japanlivingarts.com/elizabeth-andoh-a-taste-of-culture-potatoes/
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Embrace by Honda Syoryu 本田聖流作 Honda Syoryu’s sculptural works have evovled out of the tradition of baskets made to hold flower arrangements. He uses traditional weaving techniques, like plait weaving and twining, to create baskets that highlight the productive relationship between the hand of the weaver and the material properties of the bamboo. TAI Modern Gallery, Santa Fe, NM @TAIMODERN #japanesebasketry #bamboobasket #basketweaving #bamboo #hondasyoryu #syoryuhonda #ikebana #flowerarranging #japan #craft #japanesecraft #craftsmanship #japaneseart #japancraft21 #taimodern
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Delight by Honda Syoryu 本田聖流作 Honda Syoryu’s sculptural works have evovled out of the tradition of baskets made to hold flower arrangements. He uses traditional weaving techniques, like plait weaving and twining, to create baskets that highlight the productive relationship between the hand of the weaver and the material properties of the bamboo. TAI Modern Gallery, Santa Fe, NM @TAIMODERN #japanesebasketry #bamboobasket #basketweaving #bamboo #hondasyoryu #syoryuhonda #ikebana #flowerarranging #japan #craft #japanesecraft #craftsmanship #japaneseart #japancraft21 #taimodern
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【漬物を食パンに乗せ◯◯をつけていたんです】※短縮バージョン日本の伝統工芸を再生したいと、京都で奮闘するバイメルの想いをインタビューした動画です。英語教師として25歳で来日したときの日本の暮らしのなかで、どんなふうに日本の伝統工芸を知ってきたのか。ここまで日本の伝統工芸について考える理由、その熱量をお伝えできればと動画にした第2弾です。 #ジャパンクラフト21 #japancraft21 #日本の伝統工芸 #伝統工芸 #伝統工芸品 #伝統工芸士 #伝統工芸を身近に #日本の工芸品 #伝統工芸が好き #日本の伝統工芸を守りたい #日本の職人 #陶芸 #工芸 #織物 #染色 #陶磁器 #漆器 #木工 #竹工 #金工 #仏具 #石工 #和風建築 #町家 #伝統工法
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Aurora II by Honda Syoryu 本田聖流作 Honda Syoryu’s sculptural works have evovled out of the tradition of baskets made to hold flower arrangements. He uses traditional weaving techniques, like plait weaving and twining, to create baskets that highlight the productive relationship between the hand of the weaver and the material properties of the bamboo. TAI Modern Gallery, Santa Fe, NM @TAIMODERN #japanesebasketry #bamboobasket #basketweaving #bamboo #hondasyoryu #syoryuhonda #ikebana #flowerarranging #japan #craft #japanesecraft #craftsmanship #japaneseart #japancraft21 #taimodern
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New article on Japan Living Arts. Please read the full article on: https://japanlivingarts.com/moving-at-human-speed-by-gianfranco-chicco/
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25 Japanese Ceramics Superstars, from the postwar era to present See stunning works of world-renowned ceramists. Join Steve Beimel for a live ZOOM presentation. Free-of-charge North America West Coast: Monday, November 13th, 5pm North America East Coast: Monday, November 13th, 8pm Japan: Tuesday, November 14th, 10am Register here: https://forms.gle/SHgswKXsZ8ULRdFGA
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Tray by Kaneshige Tōyō (1896–1967) 金重陶陽作 The first potter to be deemed a Living National Treasure for his work in the Bizen tradition of ceramics, Kaneshige Tōyō was one of the key members of the Momoyama Revival Movement. He dedicated his career to rediscovering methods and techniques used by Bizen potters during the Momoyama period (1568–1600). Using traditional wood-fired kilns, he was able to recreate the kinds of kiln effects that made Bizen wares so beloved by the tea masters of the Momoyama period. Joan B Mirviss LTD, NYC @joanbmirvissltd #japaneseceramics #bizen #woodfiredkiln #bizenwares #kaneshigetoyo #toyokaneshige #momoyama #teawares #japan #craft #japanesecraft #craftsmanship #japaneseart #japancraft21 #joanbmirviss
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Fresh Water Jar by Kaneshige Tōyō (1896–1967) 金重陶陽作 The first potter to be deemed a Living National Treasure for his work in the Bizen tradition of ceramics, Kaneshige Tōyō was one of the key members of the Momoyama Revival Movement. He dedicated his career to rediscovering methods and techniques used by Bizen potters during the Momoyama period (1568–1600). Using traditional wood-fired kilns, he was able to recreate the kinds of kiln effects that made Bizen wares so beloved by the tea masters of the Momoyama period. Joan B Mirviss LTD, NYC @joanbmirvissltd #japaneseceramics #bizen #woodfiredkiln #bizenwares #kaneshigetoyo #toyokaneshige #momoyama #teawares #japan #craft #japanesecraft #craftsmanship #japaneseart #japancraft21 #joanbmirviss
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Vase by Kaneshige Tōyō (1896–1967) 金重陶陽作 The first potter to be deemed a Living National Treasure for his work in the Bizen tradition of ceramics, Kaneshige Tōyō was one of the key members of the Momoyama Revival Movement. He dedicated his career to rediscovering methods and techniques used by Bizen potters during the Momoyama period (1568–1600). Using traditional wood-fired kilns, he was able to recreate the kinds of kiln effects that made Bizen wares so beloved by the tea masters of the Momoyama period. Joan B Mirviss LTD, NYC @joanbmirvissltd #japaneseceramics #bizen #woodfiredkiln #bizenwares #kaneshigetoyo #toyokaneshige #momoyama #teawares #japan #craft #japanesecraft #craftsmanship #japaneseart #japancraft21 #joanbmirviss
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Vessel by Nakamura Seiroku (1916–2011) 中村清六作 Based in Arita, a historic porcelain-producing region in Kyūshū, Nakamura Seiroku was a master of shaping porcelain vessels on a potter’s wheel. The pieces he created maintain the feeling of softness and flexibility even after the porcelain has been fired and set. Romang Collection, Raleigh, NC @romangcollection #japaneseceramics #arita #aritaporcelain #porcelain #nakamuraseiroku #seirokunakamura #japaneseporcelain #moonjar #japan #craft #japanesecraft #craftsmanship #japaneseart #japancraft21 #romangcollection
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Vessel by Nakamura Seiroku (1916–2011) 中村清六作 Based in Arita, a historic porcelain-producing region in Kyūshū, Nakamura Seiroku was a master of shaping porcelain vessels on a potter’s wheel. The pieces he created maintain the feeling of softness and flexibility even after the porcelain has been fired and set. Romang Collection, Raleigh, NC @romangcollection #japaneseceramics #arita #aritaporcelain #porcelain #nakamuraseiroku #seirokunakamura #japaneseporcelain #moonjar #japan #craft #japanesecraft #craftsmanship #japaneseart #japancraft21 #romangcollection
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Vessel by Nakamura Seiroku (1916–2011) 中村清六作 Based in Arita, a historic porcelain-producing region in Kyūshū, Nakamura Seiroku was a master of shaping porcelain vessels on a potter’s wheel. The pieces he created maintain the feeling of softness and flexibility even after the porcelain has been fired and set. Romang Collection, Raleigh, NC @romangcollection #japaneseceramics #arita #aritaporcelain #porcelain #nakamuraseiroku #seirokunakamura #japaneseporcelain #moonjar #japan #craft #japanesecraft #craftsmanship #japaneseart #japancraft21 #romangcollection
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【萩焼きに惚れちゃったんです！】※短縮バージョン日本の伝統工芸を再生したいと、京都で奮闘するバイメルの想いをインタビューした動画です。まず、英語教師として25歳で来日したときの「日本の身近な工芸品」との出合いについて。ここまで日本の伝統工芸について考える理由、その熱量をお伝えできればと動画にしました。 #ジャパンクラフト21 #japancraft21 #日本の伝統工芸 #伝統工芸 #伝統工芸品 #伝統工芸士 #伝統工芸を身近に #日本の工芸品 #伝統工芸が好き #日本の伝統工芸を守りたい #日本の職人 #陶芸 #工芸 #織物 #染色 #陶磁器 #漆器 #木工 #竹工 #金工 #仏具 #石工 #和風建築 #町家 #伝統工法
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【萩焼きに惚れちゃったんです！】日本の伝統工芸を再生したいと、京都で奮闘するバイメルの想いをインタビューした動画です。まず、英語教師として25歳で来日したときの「日本の身近な工芸品」との出合いについて。ここまで日本の伝統工芸について考える理由、その熱量をお伝えできればと動画にしました。 #ジャパンクラフト21 #japancraft21 #日本の伝統工芸 #伝統工芸 #伝統工芸品 #伝統工芸士 #伝統工芸を身近に #日本の工芸品 #伝統工芸が好き #日本の伝統工芸を守りたい #日本の職人 #陶芸 #工芸 #織物 #染色 #陶磁器 #漆器 #木工 #竹工 #金工 #仏具 #石工 #和風建築 #町家 #伝統工法
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Vessel by Isezaki Kōichirō 伊勢崎晃一郎作 The son of Living National Treasure Isezaki Jun, Isezaki Kōichirō continues in his father’s tradition of Bizen wares. Many of Kōichirō’s works use the hidasuki technique, in which portions of the unglazed vessel are covered in rice straw before the piece is placed in a saggar for firing. During the firing, the rice straw burns rich red scorch marks onto the vessel, while the portions that are uncovered turn creamy white. Ippodo Gallery, NYC @ippodogallery #japaneseceramics #bizen #bizenwares #woodfiredkiln #isezakikoichiro #koichiroisezaki #isezakijun #junisezaki #japan #art #japanesecraft #craftsmanship #japaneseart #japancraft21 #ippodogallery
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Fresh Water Container by Isezaki Kōichirō 伊勢崎晃一郎作 The son of Living National Treasure Isezaki Jun, Isezaki Kōichirō continues in his father’s tradition of Bizen wares. Many of Kōichirō’s works use the hidasuki technique, in which portions of the unglazed vessel are covered in rice straw before the piece is placed in a saggar for firing. During the firing, the rice straw burns rich red scorch marks onto the vessel, while the portions that are uncovered turn creamy white. Ippodo Gallery, NYC @ippodogallery #japaneseceramics #bizen #bizenwares #woodfiredkiln #isezakikoichiro #koichiroisezaki #isezakijun #junisezaki #japan #craft #japanesecraft #craftsmanship #japaneseart #japancraft21 #ippodogallery
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Vessel by Isezaki Kōichirō 伊勢崎晃一郎作 The son of Living National Treasure Isezaki Jun, Isezaki Kōichirō continues in his father’s tradition of Bizen wares. Many of Kōichirō’s works use the hidasuki technique, in which portions of the unglazed vessel are covered in rice straw before the piece is placed in a saggar for firing. During the firing, the rice straw burns rich red scorch marks onto the vessel, while the portions that are uncovered turn creamy white. Ippodo Gallery, NYC @ippodogallery #japaneseceramics #bizen #bizenwares #woodfiredkiln #isezakikoichiro #koichiroisezaki #isezakijun #junisezaki #japan #craft #japanesecraft #craftsmanship #japaneseart #japancraft21 #ippodogallery
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Basket by Tanabe Chikuunsai IV 第四代田辺竹雲斎作 The fourth generation in his family to pursue bamboo weaving, Tanabe Chikuunsai IV applies his training in sculptural arts from Tokyo University of the Arts to his work. He weaves bamboo using traditional techniques to create bold, sculptural forms that are nevertheless functional. Katie Jones Gallery, London @katiejones_japangallery #japan #craft #japanesebasketry #bamboo #bamboobasket #basketweaving #chikuunsai #tanabechikuunsai #madake #japanesecraft #craftsmanship #japaneseart #japancraft21 #katiejones
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Basket by Tanabe Chikuunsai IV 第四代田辺竹雲斎作 The fourth generation in his family to pursue bamboo weaving, Tanabe Chikuunsai IV applies his training in sculptural arts from Tokyo University of the Arts to his work. He weaves bamboo using traditional techniques to create bold, sculptural forms that are nevertheless functional. Katie Jones Gallery, London @katiejones_japangallery #japanesebasketry #bamboo #bamboobasket #basketweaving #chikuunsai #tanabechikuunsai #madake #japan #craft #japanesecraft #craftsmanship #japaneseart #japancraft21 #katiejones
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Basket by Tanabe Chikuunsai IV 第四代田辺竹雲斎作 The fourth generation in his family to pursue bamboo weaving, Tanabe Chikuunsai IV applies his training in sculptural arts from Tokyo University of the Arts to his work. He weaves bamboo using traditional techniques to create bold, sculptural forms that are nevertheless functional. Katie Jones Gallery, London @katiejones_japangallery #japanesebasketry #bamboo #bamboobasket #basketweaving #chikuunsai #tanabechikuunsai #madake #japanesecraft #craftsmanship #japaneseart #japancraft21 #katiejones
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Jar by Kamada Kōji 鎌田幸二作 Kamada Kōji is known for his work with tenmoku glaze, a lustrous glaze that originated in China during the Song dynasty and was introduced to Japan during the Muromachi period. The distinctive “oil spots” that characterize tenmoku glaze are created when iron crystals form on the surface of the glaze. Kamada Kōji has mastered the difficult process of firing and cooling his wares slowly to encourage these iron crystal patterns. Joan B. Mirviss LTD, NYC @joanbmirvissltd #japanesepottery #tenmoku #tenmokuglaze #oilspots #kamadakoji #kojikamada #jianwares #japanesecraft #craftsmanship #japaneseceramics #japancraft21 #joanbmirviss
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Fresh Water Jar by Kamada Kōji 鎌田幸二作 Kamada Kōji is known for his work with tenmoku glaze, a lustrous glaze that originated in China during the Song dynasty and was introduced to Japan during the Muromachi period. The distinctive “oil spots” that characterize tenmoku glaze are created when iron crystals form on the surface of the glaze. Kamada Kōji has mastered the difficult process of firing and cooling his wares slowly to encourage these iron crystal patterns. Joan B. Mirviss LTD, NYC @joanbmirvissltd #japanesepottery #tenmoku #tenmokuglaze #oilspots #kamadakoji #kojikamada #jianwares #japanesecraft #craftsmanship #japaneseceramics #japancraft21 #joanbmirviss
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Tea bowl by Kamada Kōji 鎌田幸二作 Kamada Kōji is known for his work with tenmoku glaze, a lustrous glaze that originated in China during the Song dynasty and was introduced to Japan during the Muromachi period. The distinctive “oil spots” that characterize tenmoku glaze are created when iron crystals form on the surface of the glaze. Kamada Kōji has mastered the difficult process of firing and cooling his wares slowly to encourage these iron crystal patterns. Joan B. Mirviss LTD, NYC @joanbmirvissltd #japanesepottery #tenmoku #tenmokuglaze #oilspots #kamadakoji #kojikamada #jianwares #japanesecraft #craftsmanship #japaneseceramics #japancraft21 #joanbmirviss
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Inlaid lacquer box by Ikeda Terumasa 池田晃将作 Ippodo Gallery, NYC, Tokyo Ginza @ippodogallery #traditionalcrafts #terumasaikeda #urushi #lacquer #japaneselacquer #japanesecraft #japancraft21
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Dark Ship II by Tanaka Kyokusho 田中旭祥作 TAI Modern Gallery, Santa Fe, NM @TAIMODERN #traditionalcrafts #tanakakyokusho #bamboorattan #bamboo #rattan #madakebamboo #japanesebamboo #japancraft21
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Mist by Tanaka Kyokusho 田中旭祥作 TAI Modern Gallery, Santa Fe, NM @TAIMODERN #traditionalcrafts #tanakakyokusho #bamboorattan #bamboo #rattan #japanesebamboo #japancraft21
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Jewel by Tanaka Kyokusho 田中旭祥作 TAI Modern Gallery, Santa Fe, NM @TAIMODERN #traditionalcrafts #tanakakyokusho #bamboorattan #bamboo #rattan #japanesebamboo #japancraft21
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京都府と兵庫県の木工職人がそれぞれお弟子さんを募集しています。卓越した職人から直接指物技術を学べるチャンスです。生活費も補助されます。ご興味がある方はダイレクトメッセージ、もしくはメール(info@japancraft21.com)にて略歴を添えてご連絡ください。また、興味のありそうな方がいらっしゃいましたら、広く周知いただけますと幸いです。ご応募お待ちしております。
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木工芸ワークショップ参加者大募集！未経験者歓迎！伝統的工法大工とカンナ家具作り登録リンク：　https://shorturl.at/jkP18 ジャパンクラフト21では将来を見据えた塾生プログラムと弟子プログラムに興味のある方を募集しています！ ☆まずはワークショップ（参加費無料！）を体験してみませんか？☆ （A）2023年7月22日（土）と23日（日）に待望の心町家塾大工（京都市）と（B）木製家具（鉋削り体験）のワークショップ（兵庫県三木市）を開催！両方のワークショップに参加も可能です！ (A）～心町家塾大工ワークショップ　3時間～伝統建築技法の「木組み」で使われる、差し金、鋸（かんな）、鑿（のみ）を使用しての墨付けや刻みの実践が体験できます。墨をつけた木材の加工、切る、彫るといった作業もします。伝統建築技法は、日本全国共通の技であり、仕事です。興味のある方の応募をお待ちしています。 ■日時：22 日または 23 日の午前か午後をお選びください） 7月22日（土）9:00-12:00 7月22日（土）13:00-16:00 7月23日（日）9:00-12:00 7月23日（日）13:00-16:00 ■場所：京都市東山区石橋町 295-5（祇園内藤工務店） ■お問合わせ：info@gion-naitou.kyoto （B）～木製家具工ワークショップ　約5時間～家具職人は将来性のある仕事です。鉋を使うことをメインにした、鉋の削り体験を通して木の手触りや香りも楽しめるワークショップです。 ■日時：どちらか1日をお選びください。 7月22日（土）または23日（日）10:30--16:00 ■場所：兵庫県三木市吉川町鍛治屋 304-1（徳永家具工房） ■お問合わせ：tokunaga.style@gmail.com (A) ◎大工ワークショップ講師プロフィール：内藤朋博（ないとうともひろ）祗園内藤工務店五代目。株式会社祗園内藤工務店代表取締役。心町家塾会長として伝統的な町家の木組みや仕口を知り、良質な天然の素材で現代の暮らしに合わせた新しい町家＝心町家（しんまちや）を日々つくり続けている。 (B)◎家具ワークショップ講師プロフィール：徳永順男（とくながとしお） 1990 年兵庫県三木市吉川町に工房を設立。大宰府天満宮千百年祭に御神宝「桑の木木画棋局」を制作、東京国立近代美術館現代の木工家具店に招待出品。徳永家具工房のすべて鉋仕上げによる家具は、滑らかな肌触りと鉋でラインを通すことによる、姿の美しさに定評がある。主　催：JapanCraft21、NPO法人祗匠会、徳永家具工房お申し込みリンク：　https://shorturl.at/jkP18
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Vase by Imaizumi Imaemon XIII (1926-2001) 十三代今泉今右衛門作 The Imaemon kiln has been creating Iro-Nabeshima porcelain wares since the Tokugawa period (1600-1868). The Iro-Nabeshima technique of porcelain decoration requires multiple stages of firing as both underglaze and overglaze enamel create the fine decorations on the wares. Underglaze, made from cobalt-rich pigment, is painted directly on the unglazed porcelain body after it has undergone a bisque firing. The piece is then coated in a clear glaze and fired, which transforms the underglaze into a rich blue hue. Overglaze enamels in a variety of hues are then painted on top of the glaze and the piece is fired again. During this firing, the enamels fuse with the glaze to create a vibrant and durable finished piece. Romang Collection, Raleigh, NC @romangcollection #japaneseporcelain #polychrome #underglaze #overglaze #imaemon #imaizumiimaemon #aritaporcelain #porcelain #arita #japaneseceramics #japancraft21 #romangcollection
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Vase by Imaizumi Imaemon XII (1897-1975) 十二代今泉今右衛門作 The Imaemon kiln has been creating Iro-Nabeshima porcelain wares since the Tokugawa period (1600-1868). The Iro-Nabeshima technique of porcelain decoration requires multiple stages of firing as both underglaze and overglaze enamel create the fine decorations on the wares. Underglaze, made from cobalt-rich pigment, is painted directly on the unglazed porcelain body after it has undergone a bisque firing. The piece is then coated in a clear glaze and fired, which transforms the underglaze into a rich blue hue. Overglaze enamels in a variety of hues are then painted on top of the glaze and the piece is fired again. During this firing, the enamels fuse with the glaze to create a vibrant and durable finished piece. Romang Collection, Raleigh, NC @romangcollection #japaneseporcelain #polychrome #underglaze #overglaze #imaemon #imaizumiimaemon #aritaporcelain #porcelain #arita #japaneseceramics #japancraft21 #romangcollection
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Vase by Imaizumi Imaemon XII (1897-1975) 十二代今泉今右衛門作 The Imaemon kiln has been creating Iro-Nabeshima porcelain wares since the Tokugawa period (1600-1868). The Iro-Nabeshima technique of porcelain decoration requires multiple stages of firing as both underglaze and overglaze enamel create the fine decorations on the wares. Underglaze, made from cobalt-rich pigment, is painted directly on the unglazed porcelain body after it has undergone a bisque firing. The piece is then coated in a clear glaze and fired, which transforms the underglaze into a rich blue hue. Overglaze enamels in a variety of hues are then painted on top of the glaze and the piece is fired again. During this firing, the enamels fuse with the glaze to create a vibrant and durable finished piece. Romang Collection, Raleigh, NC @romangcollection #japaneseporcelain #polychrome #underglaze #overglaze #imaemon #imaizumiimaemon #aritaporcelain #porcelain #arita #japaneseceramics #japancraft21 #romangcollection
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仕事の充実・心身ともに健康自然との共生•美しい木で手作り匠精神未経験者の体験ワークショップ可能性を味わう伝統的工法大工とカンナ家具作り登録リンク：　https://shorturl.at/jkP18 ジャパンクラフト21では将来を見据えた塾生プログラムと弟子プログラムに興味のある方を募集しています！ ☆まずはワークショップ（参加費無料！）を体験してみませんか？☆ （A）2023年7月22日（土）と23日（日）に待望の心町家塾大工（京都市）と（B）木製家具（鉋削り体験）のワークショップ（兵庫県三木市）を開催！両方のワークショップに参加も可能です！ (A）～心町家塾大工ワークショップ　3時間～伝統建築技法の「木組み」で使われる、差し金、鋸（かんな）、鑿（のみ）を使用しての墨付けや刻みの実践が体験できます。墨をつけた木材の加工、切る、彫るといった作業もします。伝統建築技法は、日本全国共通の技であり、仕事です。興味のある方の応募をお待ちしています。 ■日時：22 日または 23 日の午前か午後をお選びください） 7月22日（土）9:00-12:00 7月22日（土）13:00-16:00 7月23日（日）9:00-12:00 7月23日（日）13:00-16:00 ■場所：京都市東山区石橋町 295-5（祇園内藤工務店） ■お問合わせ：info@gion-naitou.kyoto （B）～木製家具工ワークショップ　約5時間～家具職人は将来性のある仕事です。鉋を使うことをメインにした、鉋の削り体験を通して木の手触りや香りも楽しめるワークショップです。 ■日時：どちらか1日をお選びください。 7月22日（土）または23日（日）10:30--16:00 ■場所：兵庫県三木市吉川町鍛治屋 304-1（徳永家具工房） ■お問合わせ：tokunaga.style@gmail.com (A) ◎大工ワークショップ講師プロフィール：内藤朋博（ないとうともひろ）祗園内藤工務店五代目。株式会社祗園内藤工務店代表取締役。心町家塾会長として伝統的な町家の木組みや仕口を知り、良質な天然の素材で現代の暮らしに合わせた新しい町家＝心町家（しんまちや）を日々つくり続けている。 (B)◎家具ワークショップ講師プロフィール：徳永順男（とくながとしお） 1990 年兵庫県三木市吉川町に工房を設立。大宰府天満宮千百年祭に御神宝「桑の木木画棋局」を制作、東京国立近代美術館現代の木工家具店に招待出品。徳永家具工房のすべて鉋仕上げによる家具は、滑らかな肌触りと鉋でラインを通すことによる、姿の美しさに定評がある。主　催：JapanCraft21、NPO法人祗匠会、徳永家具工房お申し込みリンク：　https://shorturl.at/jkP18
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Lidded Jar by Kawase Shinobu 川瀬忍作 Kawase Shinobu is a master of celadon, a glazing and firing technique that can produce wares in a variety of rich jewel tones depending on the way in which the iron oxide in the glaze reacts during the firing. This style emerged in China during the Northern Song dynasty (960-1127) in the kilns of Longquan. Kawase’s body of work displays the full range of celadon’s potential, from creamy blue to crackled jade to striking red. Joan B Mirviss Gallery, NYC @joanbmirvissltd #japaneseceladon #celadon #kawaseshinobu #shinobukawase #porcelain #jade #japaneseceramics #japancraft21 #joanbmirviss #stoneware
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Bowl by Kawase Shinobu 川瀬忍作 Kawase Shinobu is a master of celadon, a glazing and firing technique that can produce wares in a variety of rich jewel tones depending on the way in which the iron oxide in the glaze reacts during the firing. This style emerged in China during the Northern Song dynasty (960-1127) in the kilns of Longquan. Kawase’s body of work displays the full range of celadon’s potential, from creamy blue to crackled jade to striking red. Joan B Mirviss Gallery, NYC @joanbmirvissltd #japaneseceladon #celadon #kawaseshinobu #shinobukawase #porcelain #jade #japaneseceramics #japancraft21 #joanbmirviss #stoneware
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Vase by Kawase Shinobu 川瀬忍作 Kawase Shinobu is a master of celadon, a glazing and firing technique that can produce wares in a variety of rich jewel tones depending on the way in which the iron oxide in the glaze reacts during the firing. This style emerged in China during the Northern Song dynasty (960-1127) in the kilns of Longquan. Kawase’s body of work displays the full range of celadon’s potential, from creamy blue to crackled jade to striking red. Joan B Mirviss Gallery, NYC @joanbmirvissltd #japaneseceladon #celadon #kawaseshinobu #shinobukawase #porcelain #jade #japaneseceramics #japancraft21 #joanbmirviss #stoneware
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Basket by Shōno Tokuzō 生野徳三作 Shōno Tokuzō prepares all of the bamboo he weaves into his baskets himself. He cuts the bamboo in the cold winter months, when the bamboo is naturally driest, and leaves them to dry further for 100 days. He then heats the bamboo to draw out its natural oils, which turns the bamboo ivory and gives it its characteristic gloss. TAI Modern Gallery, Santa Fe, NM @TAIMODERN #japanesebasketry #traditionalcrafts #shonotokuzo #tokuzoshono #basketweaving #bamboobasket #bamboo #basketry #japanesebamboo #japancraft21
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Basket by Shōno Tokuzō 生野徳三作 Shōno Tokuzō prepares all of the bamboo he weaves into his baskets himself. He cuts the bamboo in the cold winter months, when the bamboo is naturally driest, and leaves them to dry further for 100 days. He then heats the bamboo to draw out its natural oils, which turns the bamboo ivory and gives it its characteristic gloss. TAI Modern Gallery, Santa Fe, NM @TAIMODERN #japanesebasketry #traditionalcrafts #shonotokuzo #tokuzoshono #basketweaving #bamboobasket #bamboo #basketry #japanesebamboo #japancraft21
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Basket by Shōno Tokuzō 生野徳三作 Shōno Tokuzō prepares all of the bamboo he weaves into his baskets himself. He cuts the bamboo in the cold winter months, when the bamboo is naturally driest, and leaves them to dry further for 100 days. He then heats the bamboo to draw out its natural oils, which turns the bamboo ivory and gives it its characteristic gloss. TAI Modern Gallery, Santa Fe, NM @TAIMODERN #japanesebasketry #traditionalcrafts #shonotokuzo #tokuzoshono #basketweaving #bamboobasket #bamboo #basketry #japanesebamboo #japancraft21
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Vase by Katō Ken 加藤健作 Originating in Mino Province in the 16th century, Shino wares are characterized by thick white glaze made of feldspar that is textured with patterns of holes and accented with red scorch marks. These wares are typically fired at a low temperature for a long time and cooled slowly. Shino wares have surged in popularity recently, and many talented Japanese ceramists produce fine examples of this style. Romang Collection, Raleigh, NC @romangcollection #japaneseceramics #traditionalcrafts #katoken #kenkato #earthenware #shinowares #mino #seto #momoyama #japancraft21
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Vase by Mizuno Takuzō (1928-2015) 水野澤三作 Originating in Mino Province in the 16th century, Shino wares are characterized by thick white glaze made of feldspar that is textured with patterns of holes and accented with red scorch marks. These wares are typically fired at a low temperature for a long time and cooled slowly. Shino wares have surged in popularity recently, and many talented Japanese ceramists produce fine examples of this style. Romang Collection, Raleigh, NC @romangcollection #japaneseceramics #traditionalcrafts #mizunotakuzo #takuzomizuno #earthenware #shinowares #mino #seto #momoyama #japancraft21
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Shino Jar by Itō Kōyō @koyo110 伊藤公洋作 Originating in Mino Province in the 16th century, Shino wares are characterized by thick white glaze made of feldspar that is textured with patterns of holes and accented with red scorch marks. These wares are typically fired at a low temperature for a long time and cooled slowly. Shino wares have surged in popularity recently, and many talented Japanese ceramists produce fine examples of this style. Romang Collection, Raleigh, NC @romangcollection #japaneseceramics #traditionalcrafts #itokoyo #koyoito #earthenware #shinowares #mino #seto #momoyama #japaneseart #craft #crafts #japancraft21
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Tea Bowl by Niisato Akio @niisato_akio 新里明士作 In addition to his work in porcelain, Niisato Akio experiments with other kinds of clay as well. This bowl features a glossy black glaze over a gritty clay full of grog, which pokes through the glaze to create both pattern and texture in the finished ware. Ippodo Gallery, NYC @ippodogallery #japaneseceramics #traditionalcrafts #niisatoakio #akioniisato #earthenware #japaneseteabowl #teabowl #japaneseclay#japaneseart #craft #crafts #japancraft21
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Tea Bowl by Niisato Akio @niisato_akio 新里明士作 Niisato Akio has made a name for himself for his work in porcelain. He creates razor-thin bodies that he then punches with tiny holes to create patterns. Translucent glaze fills these holes, forming windows that let light through the still functional body of the piece. Ippodo Gallery, NYC @ippodogallery #japaneseporcelain #traditionalcrafts #niisatoakio #akioniisato #luminescentvessel #transluscentporcelain #porcelain #japaneseart #craft #crafts #japancraft21
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Vase by Kondō Yūzō 近藤悠三作 A master of blue and white sometsuke porcelain, Kondō Yūzō was designated a Living National Treasure in 1977. The sometsuke technique involves painting a cobalt-based pigment onto unglazed, bisque-fired porcelain before covering the piece in a transparent glaze and firing it again. In addition to sometsuke, Kondō also used a variety of overglaze techniques in red and gold to create his vivid designs. Joan B Mirviss Gallery, NYC #japaneseporcelain #traditionalcrafts #kondoyuzo #yuzokondo #livingnationaltreasure #sometsuke #blueandwhite #porcelain #overglaze #underglaze #japaneseart #craft #crafts #japancraft21
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Vase by Kondō Yūzō 近藤悠三作 A master of blue and white sometsuke porcelain, Kondō Yūzō was designated a Living National Treasure in 1977. The sometsuke technique involves painting a cobalt-based pigment onto unglazed, bisque-fired porcelain before covering the piece in a transparent glaze and firing it again. In addition to sometsuke, Kondō also used a variety of overglaze techniques in red and gold to create his vivid designs. Joan B Mirviss Gallery, NYC #japaneseporcelain #traditionalcrafts #kondoyuzo #yuzokondo #livingnationaltreasure #sometsuke #blueandwhite #porcelain #overglaze #underglaze #japaneseart #craft #crafts #japancraft21
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Vase by Kondō Yūzō 近藤悠三作 A master of blue and white sometsuke porcelain, Kondō Yūzō was designated a Living National Treasure in 1977. The sometsuke technique involves painting a cobalt-based pigment onto unglazed, bisque-fired porcelain before covering the piece in a transparent glaze and firing it again. In addition to sometsuke, Kondō also used a variety of overglaze techniques in red and gold to create his vivid designs. Joan B Mirviss Gallery, NYC #japaneseporcelain #traditionalcrafts #kondoyuzo #yuzokondo #livingnationaltreasure #sometsuke #blueandwhite #porcelain #overglaze #underglaze #japaneseart #craft #crafts #japancraft21
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Register link in the bio or here: https://forms.gle/8YkaW8aPKpEFWPGP7 9 JAPANESE ARCHITECTS 1-hour Online Presentation, no charge Thurs, May 11 -- N.Y.C. 5pm, L.A. 8pm Fri, May 12 -- Japan 9am #japaneseart #craft #crafts #japancraft21
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Copper Vase by Kaneko Tōru 金子透作 Kaneko Tōru uses a variety of techniques, such as hammering, stretching, folding, and rusting, to form thin sheets of metal into finished wares. He tries to convey the malleability of the material in his work. Katie Jones Gallery, London #japanesemetalworking #traditionalcrafts #kanekotoru #torukaneko #metalworking #japaneseartisan #artisanalcraft #craftsmanship #japaneseart #craft #crafts #japancraft21
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Blackened Copper and Silver Box by Kaneko Tōru 金子透作 Kaneko Tōru uses a variety of techniques, such as hammering, stretching, folding, and rusting, to form thin sheets of metal into finished wares. He tries to convey the malleability of the material in his work. Katie Jones Gallery, London #japanesemetalworking #traditionalcrafts #kanekotoru #torukaneko #metalworking #japaneseartisan #artisanalcraft #craftsmanship #japaneseart #craft #crafts #japancraft21
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Copper Vase by Kaneko Tōru 金子透作 Kaneko Tōru uses a variety of techniques, such as hammering, stretching, folding, and rusting, to form thin sheets of metal into finished wares. He tries to convey the malleability of the material in his work. Katie Jones Gallery, London #japanesemetalworking #traditionalcrafts #kanekotoru #torukaneko #metalworking #japaneseartisan #artisanalcraft #craftsmanship #japaneseart #craft #crafts #japancraft21
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Basket by Buseki Suiko III 武関翠篁作 Working with bamboo, Buseki Suiko III emphasizes, is in some senses incredibly simple. All he needs for his work are four small knives and his own hands. Yet from those simple tools emerge works with incredible complexity and attention to detail. TAI Modern Gallery, Santa Fe #japanesebamboo #traditionalcrafts #busekisuiko #basketry #bamboo #basketweaving #craftsmanship #japaneseart #craft #crafts #japancraft21
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Basket by Buseki Suiko III 武関翠篁作 Working with bamboo, Buseki Suiko III emphasizes, is in some senses incredibly simple. All he needs for his work are four small knives and his own hands. Yet from those simple tools emerge works with incredible complexity and attention to detail. TAI Modern Gallery, Santa Fe #japanesebamboo #traditionalcrafts #busekisuiko #basketry #bamboo #basketweaving #craftsmanship #japaneseart #craft #crafts #japancraft21
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JAPANESE MASTER CRAFTS One-hour Free Zoom Presentation Thursday, Apr 27 5pm L.A. 8pm NYC; Friday, Apr 28 9am Japan Register here: https://forms.gle/8YkaW8aPKpEFWPGP7
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Lacquer Tray by Matsuzaki Tohru 松崎融作 Matsuzaki Tohru uses chisels to carve the bodies of his work out of wood. He then applies lacquer in intentionally thick coats, which add a rustic character to the final pieces. It is the warm, worn texture of this thickly applied lacquer that distinguishes Matsuzaki’s work. Ippodo Gallery, Tokyo #japaneselacquer #traditionalcrafts #matsuzakitohru #lacquer #negoro #carvedwood #woodworking #japaneseart #craft #crafts #japancraft21
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Lacquer Sake Cup by Matsuzaki Tohru 松崎融作 Matsuzaki Tohru uses chisels to carve the bodies of his work out of wood. He then applies lacquer in intentionally thick coats, which add a rustic character to the final pieces. It is the warm, worn texture of this thickly applied lacquer that distinguishes Matsuzaki’s work. Ippodo Gallery, Tokyo #japaneselacquer #traditionalcrafts #matsuzakitohru #lacquer #negoro #carvedwood #woodworking #japaneseart #craft #crafts #japancraft21
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Tiered Lacquer Box by Matsuzaki Tohru 松崎融作 Matsuzaki Tohru uses chisels to carve the bodies of his work out of wood. He then applies lacquer in intentionally thick coats, which add a rustic character to the final pieces. It is the warm, worn texture of this thickly applied lacquer that distinguishes Matsuzaki’s work. Ippodo Gallery, Tokyo #japaneselacquer #traditionalcrafts #matsuzakitohru #lacquer #negoro #carvedwood #woodworking #japaneseart #craft #crafts #japancraft21
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Vase by Takegoshi Jun 武腰潤作 Originally trained as a Nihonga painter, Takegoshi Jun has made a name for himself as a ceramic artist in the traditional of Kutani polychrome enamel wares. He paints vibrant and colorful images, often depicting birds or other wildlife, using traditional Kutani overglaze enamels on a clean porcelain base. Joan B. Mirviss Gallery, NYC #japaneseceramics #traditionalcrafts #takegoshijun #kutani #kokutani #porcelain #ceramics #nihonga #painting #japaneseart #craft #crafts #japancraft21
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Incense Container by Takegoshi Jun 武腰潤作 Originally trained as a Nihonga painter, Takegoshi Jun has made a name for himself as a ceramic artist in the traditional of Kutani polychrome enamel wares. He paints vibrant and colorful images, often depicting birds or other wildlife, using traditional Kutani overglaze enamels on a clean porcelain base. Joan B. Mirviss Gallery, NYC #japaneseceramics #traditionalcrafts #takegoshijun #kutani #kokutani #porcelain #ceramics #nihonga #painting #japaneseart #craft #crafts #japancraft21
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Box by Takegoshi Jun 武腰潤作 Originally trained as a Nihonga painter, Takegoshi Jun has made a name for himself as a ceramic artist in the traditional of Kutani polychrome enamel wares. He paints vibrant and colorful images, often depicting birds or other wildlife, using traditional Kutani overglaze enamels on a clean porcelain base. Joan B. Mirviss Gallery, NYC #japaneseceramics #traditionalcrafts #takegoshijun #kutani #kokutani #porcelain #ceramics #nihonga #painting #japaneseart #craft #crafts #japancraft21
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Flower Vase by Andō Hidetake 安藤日出武作 Andō Hidetake specializes in the traditional ceramic techniques of Mino, Japan, which date back to the 16th century. This flower vase is covered in Shino glaze, distinguished by its thick creamy white color with red scorch marks. In order to capture the beauty of the historical wares, Andō uses local clay and traditional wood fired kilns for his pieces. Romang Collection, Raleigh, NC #japaneseceramics #traditionalcrafts #andohidetake #mino #shino #flowervase #ceramics #woodfiredkiln #anagama #japaneseart #craft #crafts #japancraft21
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Ash Basket by Kosuge Shochikudō (1921-2003) 小菅小竹堂作 Trained by his father from a young age in basket weaving, Kosuge Shochikudō was known for collaborations with the fashion designer Issey Miyake and jewelry designer Tina Chow. While they are made with traditional techniques, Kosuge’s works have a distinctly modern, geometrical feel. Ippodo Gallery, Tokyo #japanesebasketry #traditionalcrafts #kosugeshochikudo #basketweaving #basket #bamboo #isseymiyake #tinachow #japaneseart #craft #crafts #japancraft21
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Japanese Spaces: part 2 ---An exploration of how Japanese gardens and site design inspire mindfulness. One hour Zoom presentation. Free of charge Los Angeles, Ca Friday, March 24 at 5pm New York, NY Friday, March 24 at 8pm Japan Saturday, March 25 at 9am Register here: https://forms.gle/8YkaW8aPKpEFWPGP7
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Vase by Sako Ryūhei 佐故龍平作 Sako Ryūhei uses a technique called mokume-gane (literally meaning wood grain metal) to create his pieces. He laminates layers of thin metal alloys of various colors together and then makes cuts or drill marks into the layers to reveal patterns resembling wood grain as he shapes his works. Katie Jones Gallery, London #japanesemetalworking #traditionalcrafts #sakoryuhei #mokumegane #woodgrain #metal #vase #metalworking #laminatedmetal #japaneseart #craft #crafts #japancraft21
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Tea Caddy by Sako Ryūhei 佐故龍平作 Sako Ryūhei uses a technique called mokume-gane (literally meaning wood grain metal) to create his pieces. He laminates layers of thin metal alloys of various colors together and then makes cuts or drill marks into the layers to reveal patterns resembling wood grain as he shapes his works. Katie Jones Gallery, London #japanesemetalworking #traditionalcrafts #sakoryuhei #mokumegane #woodgrain #metal #teacaddy #chaire #metalworking #laminatedmetal #japaneseart #craft #crafts #japancraft21
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Vase by Sako Ryūhei 佐故龍平作 Sako Ryūhei uses a technique called mokume-gane (literally meaning wood grain metal) to create his pieces. He laminates layers of thin metal alloys of various colors together and then makes cuts or drill marks into the layers to reveal patterns resembling wood grain as he shapes his works. Katie Jones Gallery, London #japanesemetalworking #traditionalcrafts #sakoryuhei #mokumegane #woodgrain #metal #vase #metalworking #laminatedmetal #japaneseart #craft #crafts #japancraft21
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Candle Stand by Ishikura Hajime and Ishikura Yasuo 石倉創・石倉康夫作 The rich black luster of the Ishikura brothers’ iron candle stand is achieved through their masterful hammering technique. By repeatedly hammering the cast iron with a ball hammer, they create the soft, porous texture of the piece. Ippodo Gallery, New York #japanesemetalsmithing #traditionalcrafts #ishikurahajime #ishikurayasuo #metalsmithing #metal #iron #candlestand #japaneseart #craft #crafts #japancraft21
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Candle Stand by Ishikura Hajime and Ishikura Yasuo 石倉創・石倉康夫作 The rich black luster of the Ishikura brothers’ iron candle stand is achieved through their masterful hammering technique. By repeatedly hammering the cast iron with a ball hammer, they create the soft, porous texture of the piece. Ippodo Gallery, New York #japanesemetalsmithing #traditionalcrafts #ishikurahajime #ishikurayasuo #metalsmithing #metal #iron #candlestand #japaneseart #craft #crafts #japancraft21
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Candle Stand by Ishikura Hajime and Ishikura Yasuo 石倉創・石倉康夫作 The rich black luster of the Ishikura brothers’ iron candle stand is achieved through their masterful hammering technique. By repeatedly hammering the cast iron with a ball hammer, they create the soft, porous texture of the piece. Ippodo Gallery, New York #japanesemetalsmithing #traditionalcrafts #ishikurahajime #ishikurayasuo #metalsmithing #metal #iron #candlestand #japaneseart #craft #crafts #japancraft21
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Vase by Fujii Shumei 藤井朱明作 Fujii Shumei was born to a family of ceramists in the town of Arita, long famous for producing high quality Japanese porcelain. He began learning the art of painting on porcelain at the age of 15. Fujii’s work often features prints of leaves, which either decorate his vessels on their own, or else are transformed into sweeping landscapes of the Arita winter. Romang Collection, Raleigh, NC #japaneseceramics #traditionalcrafts #fujiishumei #ceramics #porcelain #aritaporcelain #blueandwhite #japaneseporcelain #japaneseart #craft #crafts #japancraft21
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Vase by Fujii Shumei 藤井朱明作 Fujii Shumei was born to a family of ceramists in the town of Arita, long famous for producing high quality Japanese porcelain. He began learning the art of painting on porcelain at the age of 15. Fujii’s work often features prints of leaves, which either decorate his vessels on their own, or else are transformed into sweeping landscapes of the Arita winter. Romang Collection, Raleigh, NC #japaneseceramics #traditionalcrafts #fujiishumei #ceramics #porcelain #aritaporcelain #blueandwhite #japaneseporcelain #japaneseart #craft #crafts #japancraft21
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Vase by Fujii Shumei 藤井朱明作 Fujii Shumei was born to a family of ceramists in the town of Arita, long famous for producing high quality Japanese porcelain. He began learning the art of painting on porcelain at the age of 15. Fujii’s work often features prints of leaves, which either decorate his vessels on their own, or else are transformed into sweeping landscapes of the Arita winter. Romang Collection, Raleigh, NC #japaneseceramics #traditionalcrafts #fujiishumei #ceramics #porcelain #aritaporcelain #blueandwhite #japaneseporcelain #japaneseart #craft #crafts #japancraft21
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2023 Year in Review

Jan. ~ June 2023

Spring 2022

Kyoto Journal #105 (2023)

28 Feb, 2024

February 29, 2023 We honored the 8 contest winners, with Shuji NAKAGAWA receiving the prestigious Ronnie Prize as the 1st place winner, at International House in Roppongi, Tokyo on February 19. Please don't miss the feature in the Japan News article . Photos below by Taishi Yokotsuka

By Keiko Kamei • 14 Nov, 2023

The names of the 25 Ceramic Artists from Steve's online presentation.

Craft Leaders' show at the 60th Anniversary Gala of the Portland Japanese Garden

By Keiko Kamei • 08 Aug, 2023

May 26, 2023 The Master Craft works of six JapanCraft21 Craft Leaders were on display at the 60th Anniversary Celebration of the Portland Japanese Garden, at Happo-en in Tokyo. The guest of honor, Her Imperial Highness Princess Hisako Takamado, and many other guests viewed the works and spoke enthusiastically with the Craft Leaders. Those selected to exhibit were Tomoya HYODO ( sashimono wood craft), Toshihiko INOUE (Kyoto-style art mounter, Inoue Koukundo), Asako TAKEMI ( Kimono : Isho Takemi), Yuriko TOKUNAGA (Tokunaga Furniture), Naruhito TOKUMARU (Hakusan Project, Oke) and Toru TSUJI (Lacquerware Kijian). Photos by Ken Katsurayama